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Don’t get me wrong—the film is flawless, but Puzo’s prose gives you the cold, bureaucratic rot of the Corleone empire in ways the screen can’t. That subplot about Johnny Fontane’s studio woes and the novel’s gritty backstory of Vito’s early years feel like a whole extra crime saga. Anyone else find the book’s darker, more cynical ending more satisfying than the movie’s operatic finale?
Feed · 23.08.2026
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